#N canvas 516 98 518 561 12;
#X declare -stdpath ./;
#X obj 160 385 output~;
#X text 270 515 updated for Pd version 0.37;
#X text 77 17 FOLDOVER IN SAWTOOTH WAVES;
#X obj 176 348 clip~ 0 1;
#X obj 176 168 mtof;
#X floatatom 176 146 5 0 0 0 - - - 0;
#X obj 176 294 *~ 20;
#X obj 176 320 -~ 19;
#X obj 176 192 phasor~;
#X obj 186 224 output~;
#X text 65 459 We'll explain more about making pulses later on... this
example is mostly intended as ear training., f 50;
#X text 47 44 In more ordinary kinds of waveforms \, foldover comes
across as a "cheap synth" sound. You can hear the foldover clearly
in the pulse train here \, and less clearly (but still audibly) in
the straight sawtooth \, especially at high pitches.;
#X text 233 396 <= pulse train amplitude;
#X text 259 223 <= sawtooth amplitude;
#N canvas 698 337 212 167 set 0;
#X obj 45 74 loadbang;
#X msg 45 99 61;
#X obj 45 124 outlet;
#X text 7 6 This sets the pitch initially to 61 when the patch is first
opened., f 26;
#X connect 0 0 1 0;
#X connect 1 0 2 0;
#X restore 176 120 pd set;
#X text 219 145 <= pitch;
#X obj 341 151 declare -stdpath ./;
#X connect 3 0 0 0;
#X connect 3 0 0 1;
#X connect 4 0 8 0;
#X connect 5 0 4 0;
#X connect 6 0 7 0;
#X connect 7 0 3 0;
#X connect 8 0 6 0;
#X connect 8 0 9 0;
#X connect 8 0 9 1;
#X connect 14 0 5 0;
